Believe it or not, your knowledge on music history and theory will be reflected in your playing. It will help your performance unconsciously by understanding and visualizing patterns, hidden harmonies, structures etc.
Not convinced yet?
Go on YouTube and watch any interview by one of your favorite soloists!They often talk (know) about the time period the piece was composed, its relation to the modern orchestra and general impressions the contemporary audience may have. They also know the score (orchestra parts) like they know their hands.
Not convinced yet?
Yeahhhhhh, I know you are! 🙂
Anyway, as performers we approach music from a totally different angle. If we were composers, for example, elements like orchestration, harmonies and colors are supposed to be the primary focus. For us it’s sometimes technique, technique, technique.
So what can we do to expand that horizon?
How can we performers take it to the next level?
I believe the right answer stands by studying and analyzing how composers think.
If we understand composers then we can understand their music.
For example, let’s say that the composer is writing for the orchestra. He/She thinks and studies that instrument as a whole. Balance, melody line, accompaniment, colors, textures, harmonies, dynamics, contrast, ranges-that’s what’s going on in their heads. But, on top of that they have to know at least the basics of each instrument and their capabilities to write successfully for them.
Our job as performers constitutes to play those dynamics. Our job as a section is to play those dynamics as a section. If we play (p) instead of (pp), when (pp) is marked, then it is another piece. That (pp) has been thought as a complementary part of what’s going on around the orchestra–assuming we are working with a professional composer.
He studied orchestration. You studied clarinet. Trust him/her. 🙂
12 Things the Composer Might be Thinking While You Play Your Part
1. Dynamics are not being played as strictly as I thought them.
2. The oboist is not aware that his/her line is being doubled by another instrument.
3. Cello section is rhythmically helping the melody line. Please notice that!
4. They are obviously playing the root of the chord. It feels like they don’t even notice.
5. First violins are now complementing the harmony.
6. First violins tend to play sharp in upper positions. Why? Focus on the harmony guys!
7. Seconds can play more. I don’t hear them. They are really important.
8. Violas, forget the viola jokes you guys are essential in my music.
9. There is a xylophone in this piece. I don’t think the orchestra knows it.
10. That line is impossible to play, but is ok… I don’t care about the notes they are building a color.
11. I hope the musicians don’t notice I copied those measures from John Williams.
12. This composition was created to have an impact. Not so much about beautiful chords. I hope someone understands my purpose with the piece.
Want to be among the top 1% of classical music performers?
Then you have to be different.
First, you must behave like the musician you want to become. That way you will trick your mind to do the same things you already do but differently. It’s all a psychological game. You think it, you do it!
You can do it only if you really, really, want to.
(1 really is not enough—you need 2 reallys to be an “elite” performer)
Next, you’ll like to dedicate some time to master the following:
The Basics of your instrument.
Did you get it?
They are everything.
You think you know legato but you really don’t.
You can play for 50 years and you will still have to practice legato to maintain the same level.
Basics are for life and if you try to make them your best friend, they will accompany you and protect you from the evil (technical problems).
If you apply this, you will be among the top 5% of the performers out there. You hear them playing the big concertos—so what? If it’s not clean, in tune, rushed, why bother?
Basics are for life, don’t forget. Do it constantly for a couple of years and I will see you at the top of the mountain.
Becoming an Elite
You are not a complete “elite” performer until you reach the 1% of them—let’s get you there.
You have to go through all of this: Survive an Audition, Follow Your Dreams Like You Follow a Score, Live Through Music, Watch 3 Ted Talks for Classical Musicians, Tell a Story, Reach Some Goals in Music, Be a Good Orchestra Musician,Make a Living as a Classical Musician (or at least try), Practice Performance,Recover From a Bad Performance, Convince Your Mother that You Should Major in Music, Develop the Art of listening, Keep the Magic in Music After 10 Years of Playing,Grow as a Person in Order to Grow as a Musician, etc, etc, etc.
You have to experience a life in music, let the years go by and understand what you are getting into. If you survive those years then you are almost good to succeed.
A positive attitude/mindset is all you need to make it happen.
As you probably know, music is hard as hell! Achieving your goals in music will require love for what you do—always (for the rest of your time on earth).
You will fail and you will have to get up, just try to learn fast.
You will play horrible; it’s ok, for you can play better another day.
You will… a million more other things, but you will overcome them because you love it, remember?
What is elite after all?
Elite means a group of people that are considered to be the best in a particular society because of power, talent or wealth. Yeah, of course I Googled that.
For musicians I would reorder it like this: talent, power and wealth. Talent leads to power as it leads you to wealth. But you don’t care about that right? You just want to be an awesome performer? 😉
(If you want to make money that’s another post: How to Make Money and Find Gigs or Make Art and Money at The Same Time )
Being part of the elite is more than just practicing and performing.
It is a way of life that requires a lot of sacrifices with and extraordinary paycheck—not money though—but self-respect, gratitude and wisdom. A life so rewarding that money could not get even close the final product.
To sum it up, achieving something of this magnitude requires a lot of focus for many hours a day. Only those who persevere will win. If you are involved already for many years, you might as well give the extra mile to get those awesome results!
This post in a few words:
· Basics (daily)
· Experience a life in music(years, it takes time)
· Positive attitude/mindset—at all times
· Love for what you do
Get the DISCIPLINE ASAP, it is the # 1 enemy. Well, procrastination is really the enemy but you get the point.
If you’d like more advice on the subject I have combined personal development with musicianship in this guide. Check it out!
I wish you great success and good vibes toward your elite status.
If you enjoyed this post, please share it! On Facebook or Sumble Upon would be great!
Feel free to reply to this email and/or share some comments!