As a classically trained musician, you know that the most important thing you can do is work on and solidify your technique. No matter how talented or expressive you are in your musical skills, it`s technique that gets you through.
Without having a strong technique to support you, you`re not treading a path to success; you`re treading quick sand. On the flip side, however, some musicians rely so heavily on technique that they`re virtually swamped by it. They`re so wrapped up in practicing scales, arpeggios and other exercises that they neglect to work on their repertoire.
When this happens, it`s important to prioritize how much of your practice time should go to technical warm-ups and exercises and how much should go toward practicing your musical pieces. It`s important first to remember what technique is for. You use these strengthening skills to fine-tune and hone your skills as a musician.
Once you`ve got a firm grip on your technique, you can put it firmly in its place as a background to your performance.
If you`re a singer, particularly an opera or concert singer, you have to be especially careful about not over-practicing. Many experienced professional singers are content with 20 minutes a day of warm-up scales and arpeggios before jumping right into repertoire.
If you practice your vocalizes and exercises too long, you`ll tire out your voice. As to how much you should practice your technique during a single session, here are some thoughts to consider:
- Mindless practicing is a waste of time.Most musicians agree that endlessly playing scales and arpeggios by rote over and over again without thinking isn`t a particularly valuable way to spend your practice time. If your head space isn`t in what you`re doing, your muscle memory won`t develop and muscle memory is the backbone of technique.
- Mindless practicing causes sloppinessand soon you`ll find yourself falling into bad habits that will make your practicing destructive rather than beneficial. Neglecting your repertoire leads to a lack of confidence. After all, you`re going to be performing your pieces, not your scales, in front of an audience.
If you concentrate on technique at the expense of your repertoire, your repertoire will surely suffer.
If you have extra practice time, devote it to your musical repertoire, not to your technical exercises, especially if you`re preparing for a performance. Set aside a time for scales, arpeggios and technical exercises and don`t go beyond it. Unless there`s something you specifically want to work on, such as a helpful exercise, keep your technical practicing in its place. It`s valuable, but you don`t want to practice scales at the expense of your repertoire.
Just remember, technique is vitally important, but it`s a means to an end and this end result is the skill with which you play your musical repertoire.