Tips for Classical Musicians

Tag: Violin Classical Music

Musician’s Guide to “Playing Fast”

 

It has always been the ultimate goal of many musicians. Sometimes, it’s even the reason young students sign up for music lessons; and definitely the “why” you and me spent so many hours locked up in a practice room.

 

 

We want to play it “A tempo”

From day 1 you imagined yourself on stage playing your solo with a great orchestra. That’s the goal. It’s hard to realize we must go through certain stages; an inevitable process. Playing fast is more than just being awesome, it’s actually knowing what it takes to earn that awesomeness. It is also being able to notice every single detail going on while you are performing.

Are you in tune? Is your performance clean at this tempo? Is my hand(s) working to facilitate movement? Play fast is one thing. Playing fast with all of the above completely mastered it’s another thing. After listening to a live performance of all the Paganini caprices, I personally get really excited. I feel the need to be able to execute/have the technique to play these caprices. I believe it’s vital to watch the pros in action. Get pumped up and find the motivation to start taking small steps in the right direction.

All the Elements Together

Playing Fast Requires Time. How much? It depends.

1. On the difficulty of the piece—

2. How many time you’ve done it, and

3. How bad you want it.

If you want it badly you are half way there, said someone I can’t remember right now. Every time you do something, anything, your brain carves some tunnels. These tunnels can brume away easily if they are not deepen enough. How?

Repetition and Time

At some point after hundreds of repetitions you won’t need to do it anymore (don’t worry it will take years so don’t even think about it). For now keep repeating smartly and you’ll be on the right track.

1. Think you are a turtle. It helped me. Move from one note to the other and feel everything; your finger playing that note, intonation, the distance between the new note and the old one and so on.

2. Understand the learning process. It’s not 3 days of slow boring practice. You need a plan.

3. As a rule, practice what you learned the day before (so it can be carved deeply) but still move on to new things.

Patience

…it’s also a big ingredient. Knowing that it won’t be “a tempo” tomorrow morning is a big realization. I understand, your eager to play it the way you would at Carnegie Hall. Yeah, that’s the goal but not now. The soonest you get to really understand that, the better and more efficient will your sessions be.

Believe in your abilities and wait.

1. Follow a working plan. Spend at least a month to see bigger improvements.

2. Don’t get frustrated. Big things are not accomplished overnight. Baby steps are essential.

3. Look forward to the end but don’t rush it. Try enjoying the process of building your different techniques and applying musicality.

Musician’s Best Friend; Mr. Beat

Or any other kind of metronome. He is your best companion. He will help you play accurate and evolve with conscience. Mr, metronome will treat you like if you were a baby. And that’s a good thing ;) .

Things to consider:

1. He is your best friend only if you follow him. Don’t lose him. To be efficient is to follow your best friend.

2. Work strategically. Select some excerpts of the pieces you are working on and perform them really slow simulating the conditions you will be executing when you play fast. (e.g. Same part of the bow).

3. When you are satisfied move up. Perhaps 5 points up and try to stay on top of your technique as well as the musical understanding.

Slow Practice

Separating all the technical difficulties and practicing them one at a time can very much helps the final result. It will allow your brain to cook things better.

As you work your way up, individual technique practice will enhance each area so that the entire technical aspect works towards one another.

1. Remember the tunnel carving. Repetition makes these tunnels deepen to the point that the info stays forever.

2. Slow practice is crucial for coordination of both hands.

3. To have a smart practice session, you must analyze from different points of view at all times.

Final Thoughts

As you continue to grow as a musician, you will find that organization is probably the number one thing to focus in order to have a satisfactory performance. You want to play fast? Great! Now, let’s see how we can do that with a good level of musical and technical understanding. You must know your music, the orchestra parts, accompaniment, main lines, how your part develops and where to, and how your line fits among the rest.

When the fast part arrives, controlling your emotions will play a big role. Staying steady and being a good musician should be the priority at all times. Have fun, show off what you have practiced and keep growing as a musician. If you did your homework, you will be growing as a person as well.

Carol

November 16, 2012     0 Comments   , , , , , , , , , , ,

The Reality of the Music Business

When we listen to music, we are providing our mind and soul some sort of relief and pleasure. That is why we do it! We simply enjoy to listen our favorite artists and it feel so good to sing along or even hum an instrumental piece. As musicians, we enjoy music the same way non-musicians do- we have more knowledge regarding the structure of the music but in the end it’s the same pleasure. We do music because we like to perform it as well- it feel so good to participate in a concert and play with your colleagues, and even more if we play a solo or as a soloist.

As a young musician I was told by a composition teacher that I will find success only if I look for it, only if I keep doing something to make it happen- ALWAYS. Since then, that advice have been in my head and will continue to be there for the rest of my life. It has make a difference in my approach to the business.

Being in the music business is not easy stuff, we all know it’s hard to make it in to a symphony orchestra- the competition is huge. Make it as a teacher would require a certain amount of degrees and certifications. And all the other branches in music are really hard to achieve due to the competition and the fact that we probably have to work in multiples places on different tasks. Teaching, performing, composing and gigging have been my duties for the last few years- and I am still working on my masters!

I always say to younger students that want to major in music- “ Think twice! or maybe more than that! But, if, after you think about it for a while, the only thing you see yourself doing in the future is MUSIC and you will be unhappy doing anything else-Oh yeah! GO FOR IT! Know all the sacrifices that you are about to do- all the energy that you will need to practice hard- the stamina you will need to produce quality content, if you are a composer. If you analyze the possibilities, they are endless. If you are into music and work hard in any branch, I am 100% sure you will have a job! there is no reason to be afraid of failure. There is a lot of things you can do as a musician, so, no worries it will happen.

Think about it!… and if you think this is for you- why not give it a try? After all, it is what you really want to do!

 

Carol

August 4, 2010     0 Comments   , , , ,

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